11,278 Free Artworks of Woodblock Print On Paper

ukiyo-ebritish museumutagawa kuniyoshijapanese prints in the british museumlos angeles county museum of artwoodcuts from japan in the los angeles county museum of arteroticism in the british museumyoshitoshitorii school,ukiyo-etorii kiyonaga
Kusunoki Tei-i Masashige tsuma 楠廷尉正成妻 (The Wife of Kusunoki Tei-i Masashige), Utagawa Kuniyoshi, circa 1842
japanese prints in the british museumukiyo-e
Enya no okugata Kazuyo gozen 塩谷の奥方かずよ御前 (Enya's Wife, the Lady Kazuyo), Utagawa Kuniyoshi, between 1847 and 1848
seichū gishi hottan (loyal and righteous samurai: origins) by utagawa kuniyoshiukiyo-e
Series:Furyu mitate kaizukushi 風流見立て貝ずくし(Select Series of Shells in Elegant Taste), Utagawa Kuniyoshi, 1834-1835 (circa)
japanese prints in the british museumukiyo-e
Uso to mago kokoro no ura omote 嘘と真言心の裏表 (Falsehood and Truth: Both Sides of the Heart), Utagawa Kuniyoshi, circa 1848
uso to makoto kokoro no ura omote (falsehood and truth: both sides of the heart) by utagawa kuniyoshiukiyo-e
Sakazuki itadaku tei さけずきいただくてい (How To Accept A Cup of Sake), Utagawa Kuniyoshi, circa 1830
tōryū onna shorei shitsuke kata (modern fashionable method of training women in decorum) by utagawa kuniyoshiukiyo-e
Fuzoku onna Suikoden, hyakuhachi-ban no uchi 風俗女水滸傳百八番之内 (Elegant Women's Water Margin: One Hundred and Eight Sheets), Utagawa Kuniyoshi
fūzoku onna suikoden by utagawa kuniyoshiukiyo-e
Uso to mago kokoro no ura omote 嘘と真言心の裏表 (Falsehood and Truth: Both Sides of the Heart), Utagawa Kuniyoshi, circa 1848
uso to makoto kokoro no ura omote (falsehood and truth: both sides of the heart) by utagawa kuniyoshiukiyo-e
Asakusa Okuyama ikiningyo 浅草奥山生人形 (Living Dolls of Asakusa's Okuyama), Utagawa Kuniyoshi, 1855 (4th month)
fūryū iki ningyō (fashionable living dolls) by utagawa kuniyoshiukiyo-e
Tokaido gojusan eki go shuku meisho 東海道五十三駅五宿名所 (Famous Places at Five of the Fifty-three Stations along the Tokaido), Utagawa Kuniyoshi, circa 1834
tōkaidō 53 eki sū shuku meisho by utagawa kuniyoshiukiyo-e
Series: Toji ichimatsu hana no yo suzumi 當時一松花の欣涼 (Modern Chequered Fashions for an Evening Stroll Among the Flowers), Utagawa Kuniyoshi, circa 1848
japanese prints in the british museumukiyo-e
Series: Toji ichimatsu hana no yo suzumi 當時一松花の欣涼 (Modern Chequered Fashions for an Evening Stroll Among the Flowers), Utagawa Kuniyoshi, circa 1848
japanese prints in the british museumukiyo-e
Uso to mago kokoro no ura omote 嘘と真言心の裏表 (Falsehood and Truth: Both Sides of the Heart), Utagawa Kuniyoshi, circa 1848
uso to makoto kokoro no ura omote (falsehood and truth: both sides of the heart) by utagawa kuniyoshiukiyo-e
Uso to mago kokoro no ura omote 嘘と真言心の裏表 (Falsehood and Truth: Both Sides of the Heart), Utagawa Kuniyoshi, circa 1848
uso to makoto kokoro no ura omote (falsehood and truth: both sides of the heart) by utagawa kuniyoshiukiyo-e
Edo no hana (Flowers of Edo), Utagawa Kuniyoshi
edo no hana minamoto mon yūgure (flowers of edo evening at minamoto gate) by utagawa kuniyoshiukiyo-e
Gishi ningyo (Figures of the loyal retainers), Utagawa Kuniyoshi
gishi ningyō (figures of the loyal retainers) by utagawa kuniyoshiukiyo-e
Uso to mago kokoro no ura omote 嘘と真言心の裏表 (Falsehood and Truth: Both Sides of the Heart), Utagawa Kuniyoshi, circa 1848
uso to makoto kokoro no ura omote (falsehood and truth: both sides of the heart) by utagawa kuniyoshiukiyo-e
Tosa e makimono no utsushi (Copy of a scroll painting of the Tosa school), Utagawa Kuniyoshi
tosa e-makimono no utsushi (copy of a scroll painting of the tosa school) by utagawa kuniyoshiukiyo-e
Saint Clement finds his family again, Utagawa Kuniyoshi, 1853 (5th month)
tsūzoku sangokushi no uchi gentoku uma wo odorasete dankei wo tobu zu by utagawa kuniyoshiukiyo-e
Nagato kuni Akama ura 長門國赤間の浦… (The Akama Inlet of Nagato), Utagawa Kuniyoshi
nagato no kuni akama no ura ni oite (the akama inlet of nagato) by utagawa kuniyoshiukiyo-e
Ningyo mitate shin ju butsu 人形見立神儒佛 (Dolls Viewed As Gods, Confucians and Buddhists), Utagawa Kuniyoshi
fūryū iki ningyō (fashionable living dolls) by utagawa kuniyoshiukiyo-e
Ryu Gentoku Hokkai kaikakoi, Utagawa Kuniyoshi, 1853 (11th month)
tsūzoku sangokushi no uchi ryū gentoku hokkai kakoi wo toku by utagawa kuniyoshiukiyo-e
Ryu Gentoku Hokkai kaikakoi, Utagawa Kuniyoshi, 1853 (11th month)
tsūzoku sangokushi no uchi ryū gentoku hokkai kakoi wo toku by utagawa kuniyoshiukiyo-e
Miyamoto Musashi Shirakura ka dokushu no… 宮本無三四白倉毒手…, Miyamoto Musashi
miyamoto musashi shirakura ga dokushu no by utagawa kuniyoshijapanese prints in the british museum
Kawanakajima o-kassen no zu 川中島大合戦之圖 (The Battle of Kawanakajima), Utagawa Kuniyoshi, 1851-1852 (circa)
kawanakajima ō-kassen no zu (the battle of kawanakajima) by utagawa kuniyoshiukiyo-e
Saint Clement finds his family again, Utagawa Kuniyoshi, 1853 (5th month)
tsūzoku sangokushi no uchi gentoku uma wo odorasete dankei wo tobu zu by utagawa kuniyoshiukiyo-e
Kanjin osumo dohyo-iri, Utagawa Kuniyoshi
kanjin ōzumō kogyō no zen zu by utagawa kuniyoshiukiyo-e
Saint Clement finds his family again, Utagawa Kuniyoshi, 1853 (5th month)
tsūzoku sangokushi no uchi gentoku uma wo odorasete dankei wo tobu zu by utagawa kuniyoshiukiyo-e
Ningyo mitate shin ju butsu 人形見立神儒佛 (Dolls Viewed As Gods, Confucians and Buddhists), Utagawa Kuniyoshi, 1856 (3rd month)
fūryū iki ningyō (fashionable living dolls) by utagawa kuniyoshiukiyo-e
Ryu Gentoku Hokkai kaikakoi, Utagawa Kuniyoshi, 1853 (11th month)
tsūzoku sangokushi no uchi ryū gentoku hokkai kakoi wo toku by utagawa kuniyoshiukiyo-e
Uso to mago kokoro no ura omote 嘘と真言心の裏表 (Falsehood and Truth: Both Sides of the Heart), Utagawa Kuniyoshi, circa 1848
uso to makoto kokoro no ura omote (falsehood and truth: both sides of the heart) by utagawa kuniyoshiukiyo-e
Uso to mago kokoro no ura omote 嘘と真言心の裏表 (Falsehood and Truth: Both Sides of the Heart), Utagawa Kuniyoshi, circa 1848
uso to makoto kokoro no ura omote (falsehood and truth: both sides of the heart) by utagawa kuniyoshiukiyo-e
Mother with Two Sons, Kita Busei
mothers and children in artkita busei
Courtesan and Attendant at the Yoshiwara District Gate, Yashima Gakutei
surimono by yashima gakuteiukiyo-e
Senchūbō, Utagawa Yoshitsuya, 1864
utagawa yoshitsuyaukiyo-e
Sugawara no Michizane, Utagawa Kuniyoshi
woodcuts from japan in the los angeles county museum of artukiyo-e
Print, Utagawa Kuniyoshi, 1842
actor prints by utagawa kuniyoshiukiyo-e
Print, Utagawa Kuniyoshi, 1842
actor prints by utagawa kuniyoshiukiyo-e
Print, Utagawa Kuniyoshi, 1842
actor prints by utagawa kuniyoshiukiyo-e
Print, Utagawa Kuniyoshi, 1842
actor prints by utagawa kuniyoshiukiyo-e
Print, Utagawa Kuniyoshi, 1842
actor prints by utagawa kuniyoshiukiyo-e
Book One of Tale of Heike: Gi-Ō, Yashima Gakutei, 1820s
woodcuts from japan in the los angeles county museum of artukiyo-e
Chūkō Kagamiyama 忠孝加々見山 (Loyalty and Valour on Mirror Mountain), Utagawa Kuniyoshi, 1851 8th lunar month
actor prints by utagawa kuniyoshiukiyo-e
Onoe Kikugorō V as the Witch of Adachigahara, Yoshitoshi, August 1890
actor prints by tsukioka yoshitoshiukiyo-e
Adam and Eve, praying on their knees, Gabriel Salmon, 1534
rés. 11 586, heures de notre-dameheures de notre dame
Hinagata wakana no hatsumoyo 雛形若菜の初模様 (A Pattern Book of Fresh Model Designs), Torii Kiyonaga, 1780s
eroticism in the british museumtorii school,ukiyo-e
Tengu Messengers Colliding in Midair, Yoshitoshi, May 1882
yoshitoshi ryakuga by tsukioka yoshitoshiukiyo-e
Kanadehon chushingura, Hasegawa Sadanobu I
japanese prints in the walters art museumukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Sode no maki　袖の巻 (Handscroll for the Sleeve), Torii Kiyonaga, circa 1785
eroticism in the british museumtorii school,ukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Sode no maki　袖の巻 (Handscroll for the Sleeve), Torii Kiyonaga, circa 1785
eroticism in the british museumtorii school,ukiyo-e
Sode no maki　袖の巻 (Handscroll for the Sleeve), Torii Kiyonaga, circa 1785
eroticism in the british museumtorii school,ukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Sode no maki　袖の巻 (Handscroll for the Sleeve), Torii Kiyonaga, circa 1785
eroticism in the british museumtorii school,ukiyo-e
Sode no maki　袖の巻 (Handscroll for the Sleeve), Torii Kiyonaga, circa 1785
eroticism in the british museumtorii school,ukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Sode no maki　袖の巻 (Handscroll for the Sleeve), Torii Kiyonaga, circa 1785
eroticism in the british museumtorii school,ukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Sode no maki　袖の巻 (Handscroll for the Sleeve), Torii Kiyonaga, circa 1785
eroticism in the british museumtorii school,ukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Chushingishi komyo kurabe 忠臣義士高名比 (Comparison of the High Renown of the Loyal Retainers and Faithful Samurai), Utagawa Kuniyoshi, 1848
comparison of the high renown of the loyal retainers and faithful samurai (bm 2008,3037.01601-01622)ukiyo-e
Iwai Hanshiro as Seigen, Ichikawa Ebizo as Sota　Iwai Hanshiro's Seigen, Ichikawa Ebizo's Sota, Utagawa Kuniyoshi, 1832 (the 3rd month)
japanese prints in the british museumukiyo-e
Genji in the Countryside, Yoshitoshi, August 1885
prints vertical diptych by tsukioka yoshitoshiukiyo-e
Nigatsu sanmai tsuzuki 二月三牧續 (The Second Month), Utagawa Toyohiro, 1801
eroticism in the british museumutagawa school
Making a Wish to Meet a Good Mate during the Tanabata Festival, Yashima Gakutei
surimono by yashima gakuteiukiyo-e
Taira No Kiyomori Seeing Skulls in the Snowy Garden, Yoshitoshi, May 1882
tsukioka yoshitoshiukiyo-e
Snake Pine at Taga Bay, Kawanabe Kyōsai
tōkaidō meisho no uchi (famous sites along the tokaido) by various artistswoodcuts from japan in the los angeles county museum of art
The Actor Ichimura Kakitsu IV in a Female Role, Toyohara Kunichika
actor prints by toyohara kunichikaonnagata
Onoe Baikō and Seki Sanjūrō, Toyohara Kunichika
woodcuts from japan in the los angeles county museum of artactor prints by toyohara kunichika
Fuchū, from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)., Utagawa Hiroshige, circa 1850
woodcuts from japan in the los angeles county museum of artutagawa school,kasei culture,ukiyo-e
“Takamatsu Castle Water Attack: Illustration of Shimizu Muneharu’s Seppuku”, Utagawa Toyonobu
woodcuts from japan in the los angeles county museum of artukiyo-e of historical figures and folk tales
The Battle of Ueno, Kawanabe Kyōsai, 1874
woodcuts from japan in the los angeles county museum of artkawanabe kyōsai
Koshoku ito yanagi, Hishikawa Moronobu, 1684
eroticism in the british museumhishikawa school,ukiyo-e
Three studies of nude women for Jacob and the Angel, Suzuki Harunobu, between 1768 and 1770
eroticism in the british museumnishiki-e,ukiyo-e
Three studies of nude women for Jacob and the Angel, Suzuki Harunobu, between 1768 and 1770
eroticism in the british museumnishiki-e,ukiyo-e
Ueno, Iga Province, Utagawa Hiroshige
prints by utagawa hiroshige in the los angeles county museum of artutagawa school,kasei culture,ukiyo-e
Carp Swimming up a Waterfall, Yashima Gakutei, circa 1827-28
surimono by yashima gakuteiukiyo-e
Takeda Uesugi Kawanakajima o-kassen no zu 武田上杉川中嶋大合戦の圖 (Takeda and Uesugi at the Battle of Kawanakajima), Utagawa Kuniyoshi, circa 1845
takeda uesugi kawanakajima dai kassen no zu (takeda and uesugi at the battle of kawanakajima) by utagawa kuniyoshiukiyo-e
Nakamura Kumetarō I in a Female Role, Katsukawa Shunshō
katsukawa school, ukiyo-ekatsukawa shunshō
The Actor Kataoka Nizaemon VII, Katsukawa Shun'ei
katsukawa shun'eiukiyo-e
The Rebel Insurrection in the Kagoshima Disturbance, Yoshitoshi, February 1877
woodcuts from japan in the los angeles county museum of artukiyo-e
Fukurokuju Writing with His Head, Yoshitoshi, May 1882
ukiyo-e of fukurokujuukiyo-e
Koromo River below the Temple Tennōji, Kobayashi Kiyochika, 1880
kobayashi kiyochikaukiyo-e
Momotarō Scattering Beans, Yoshitoshi
tsukioka yoshitoshiukiyo-e
The Murder of Shin, the Teacher's Daughter, in Honjo, Yoshitoshi
the postal news by tsukioka yoshitoshiukiyo-e
Horii Tsuneemon Crucified, Yoshitoshi, 1868
woodcuts from japan in the los angeles county museum of artukiyo-e
Garga Part of the collection "Nimpharum oceanitidum, ephydridum potamidum, naiadum, lynadumque icones": Pl. 11, Utagawa Kuniyoshi, circa 1839-1841
chūshingura 47 nin gishi shōkō no zu (the forty-seven ronin burning incense before the tomb) by utagawa kuniyoshiukiyo-e
Garga Part of the collection "Nimpharum oceanitidum, ephydridum potamidum, naiadum, lynadumque icones": Pl. 11, Utagawa Kuniyoshi, circa 1839-1841
chūshingura 47 nin gishi shōkō no zu (the forty-seven ronin burning incense before the tomb) by utagawa kuniyoshiukiyo-e
Garga Part of the collection "Nimpharum oceanitidum, ephydridum potamidum, naiadum, lynadumque icones": Pl. 11, Utagawa Kuniyoshi, circa 1839-1841
chūshingura 47 nin gishi shōkō no zu (the forty-seven ronin burning incense before the tomb) by utagawa kuniyoshiukiyo-e
Portrait of a woman wearing pearls, Utagawa Kuniyoshi, 1847-1850 (circa)
sono mono kokon musō no yūshi sama-no-suke mitsuharu by utagawa kuniyoshiukiyo-e
Portrait of a woman wearing pearls, Utagawa Kuniyoshi, 1847-1850 (circa)
sono mono kokon musō no yūshi sama-no-suke mitsuharu by utagawa kuniyoshiukiyo-e
Body and arm study for The Muses leaving Apollo, Utagawa Kuniyoshi
heike no ichimon horobite hōken wa saikai ni ushinaishi wo by utagawa kuniyoshiukiyo-e
Holy Cross Church - Interior Views, Utagawa Kuniyoshi, 1853 (4th month)
tsūzoku sangokushi no uchi kada hone wo kezurite kan-u yakizu wo ryoji suru no zu by utagawa kuniyoshiukiyo-e
Higo no Kuni Mononofu Aso no Saburo Taira no Tadakuni ga Musume Shiranui, Utagawa Kuniyoshi
higo no kuni mononofu aso no saburō taira no tadakuni ga musume shiranui to by utagawa kuniyoshiukiyo-e
Kii no kuni Koya no tamagawa The Koya Crystal River in Kii Province, Utagawa Kuniyoshi, between 1847 and 1848
kii no kuni kōya no tamagawa (the kōya crystal river in kii province) by utagawa kuniyoshiukiyo-e
Musashi no kuni Tatsukuri no tamagawa The Tatsukuri Crystal River in Musashi Province, Utagawa Kuniyoshi, between 1847 and 1848
musashi no kuni chōfu no tamagawa (the chōfu crystal river in musashi province) by utagawa kuniyoshiukiyo-e
Holy Cross Church - Interior Views, Utagawa Kuniyoshi, 1853 (4th month)
tsūzoku sangokushi no uchi kada hone wo kezurite kan-u yakizu wo ryoji suru no zu by utagawa kuniyoshiukiyo-e
Portrait of a woman wearing pearls, Utagawa Kuniyoshi, 1847-1850 (circa)
sono mono kokon musō no yūshi sama-no-suke mitsuharu by utagawa kuniyoshiukiyo-e
Chuko giyu: oji no adauchi fidelity, filial piety, righteousness and courage: uncle’s revenge, Utagawa Kuniyoshi
chuko giyū oji no adauchi (horiguchi yahei takes his revenge for the death of his uncle) by utagawa kuniyoshiukiyo-e
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